![]() The GUI needs significant work, and I wish it offered a few more options for step rates– to say nothing of making it AS-native. BreakTweaker’s MicroEdit features which are the star of the show, offering a super-fun exploration of unique rhythms, blurring the boundary between rhythm and pitch. Even just going through the factory content, including the expansion packs, is a wonderful listening and learning experience. A drum machine is not in iZotope’s wheelhouse but this drum machine is so clever and flexible. Of the three on the chopping block, BreakTweaker is the most understandable, but the most heart-breaking. There’s a pretty hefty to-do list to make it a proper modern synth. that it is probably not worth it for iZotope to invest in development to chase a tiny slice of that market. However, there are so many options for distortion/overdrive/harmonics/color/etc. Trash 2 is probably the most in-line with the signal processing purpose of iZotope’s product line. Some developers let their products rot on the vine while continuing to sell them, so it’s right for them to make the clear decision. ![]() iZotope either needed to give these plugs some attention or stop asking for money for them. I have all three products and have used them all to varying degrees. The news follows the 2021 announcement that Native Instruments and iZotope were partnering to create a new technology group, now known as Soundwide and Native’s announcement last month that they were retiring Absynth.įor more information, see the FAQ on the iZotope site. In explaining the reasoning for their decision, iZotope said “We occasionally need to retire older products in order to focus our resources and development efforts on building new, innovative products and features.” Support will remain in effect for 12 months from your date of purchase. The products are no longer available for purchase on the company’s site. They called it “the ultimate distortion plug-in for any instrument.”
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